Mortgage Loan Tips

January 31, 2012 · Posted in Mortgage Rates · Comments Off 

Mortgage Loan Tips.
Why Some People Almost Always Get The Lowest Interest Rate On Their Mortgage – For The Least Points – And No Junk Fees!
Mortgage Loan Tips.

Crazy New Govn’t Refi Program For Underwater Homeowners
Harp 2.0 Step By Step Guide Homeowners Underwater On Their Mortgage Can Now Refinance Into 3% Rates, No Appraisal Required. This Ebook Gives Everything You Need To Know! Great Conversion Potential In This Target Market!
Crazy New Govn’t Refi Program For Underwater Homeowners

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Beth Toomey Seattle Real

January 31, 2012 · Posted in Seattle Broker · 2 Comments 

MLS #: 29044658 Lovely Dutch Colonial with sweeping view of lake and mountains. This home sits high up off of street in a privates oasis. The secret garden will delight as one meanders up the walk way. Home has been completely renovated, come see the light filled spaces…grand entry featuring leaded glass windows, elegant living room, dining room and kitchen is a chef’s delight! 3 BR up, 1.75 BA up, wine cellar, media room, office and guestroom on lower level. Two car detached garage. Listing is courtesy of Coldwell Banker Bain. Visit www.BethToomey.com to learn more or schedule a private showing. Shot and Edited by Petit Robot Media- Seattle based graphic design, video production and seo firm. http
Video Rating: 3 / 5

“Who Is The Best Real Estate Agent In Seattle Tacoma” and what makes them the best? Well for one they have to be an SEO Listing Expert now days to even be able to be called the best and these guys are SEO Listing Experts. thehome-finder.com they can prove they are SEO Listing experts fairly easily and quickly all you have to do is call or contact them today. Everything is a search engine in todays high tech world and the title of “Who Is The Best Real Estate Agent In Seattle Tacoma” can only go to them right now, so call them today video topic “Who Is The Best Real Estate Agent In Seattle Tacoma”.
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Home For Rent In Browns

January 31, 2012 · Posted in Fsbo · Comments Off 

Home for rent in Browns Mills, NJ

originally posted at http://www.MilitaryFSBO.com/nls1152870346

Price: $ 1,700

Location
43 DAKOTA TRL
08015 Browns Mills, USA

Home for rent in Brick, NJ

Banker Riviera Realty
Listing Agent: James Woods

Listing originally posted at http://www.MilitaryFSBO.com/nls1152803361

Price: $ 1,300

Location
118 NORTHRUP DR
08724 Brick, USA

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Boca Raton Roofing Service Helps

January 31, 2012 · Posted in Multiple Listing Service · Comments Off 

Boca Raton, FL (PRWEB) January 31, 2012

Jason Blair, a representative of Free Roofing Pro (a free Boca Raton roofing service), tells us “If a roofing contractor is having money problems, those problems can quickly be passed on to an unsuspecting homeowner.”

This is an all too familiar story from South Florida that makes homeowners terrified of hiring the wrong roofing contractor. The truth is that even good roofing contractors can mess things up.

Here are some tips from Free Roofing Pro on how to find a good roofing contractor:

1. Visit their offices. You can tell a lot from their place of business.

2. Talk to their suppliers. If they pay their suppliers, they probably pay the rest of their bills.

3. Talk to their employees. If their employees aren’t getting paid on time, it is a red flag.

4. Check for liens. Multiple liens that are filed can be a sign of financial difficulties, or poor service.

5. Check your city and see how many permits they pull a year?

6. Check their license at MyFloridaLicense.com

7. Make sure their insurance covers roofing, and that their workers’ comp covers a list of in house employees, or that the subcontractors have workers’ comp to cover their in house employees. Contractors need to provide all insurance certificates upon request.

8.

Los Campesinos

January 31, 2012 · Posted in Seattle Homes · Comments Off 

Los Campesinos!
Event on 2012-02-04 21:00:00

STG presents Los Campesinos! at the Neptune Theatre in Seattle on Saturday, February 4, 2012.

A lot can happen in the course of two years. People walk out of your life, people special to you – people it’s difficult to imagine your world without. Sometimes, they come back. But when they do, they’re not who they once were. Soft features have chiselled. That teenage flush around the cheeks has faded. And suddenly, that ghost that mooched around inside your head is gone, replaced by something, somebody new.

‘Hello Sadness’ is the fourth record by Los Campesinos!, and if 2009’s ‘Romance Is Boring’ marked a giant step on from their genesis – seven kids and a glockenspiel, ricocheting off the four walls of a Cardiff rehearsal room – ‘Hello Sadness’ constitutes another step, and a turn of the corner. Yes, these 10 tracks cover what we are coming to recognise as core Los Campesinos! concerns – love, loss, heartbreak, football (always football). But this is a record that’s wiser and more focused than its predecessors, confident in its abilities and clear in its aims.

“It feels like we’ve done all our growing up while in this band,” says vocalist Gareth Campesinos! “Not like we’re Hanson, or anything. But we’ve been Los Campesinos! since finishing university, and in that time we’ve all changed as people massively. That’s something we want to put across in the music.”

“We’ve learned what there’s room for, sonically,” adds guitarist/songwriter Tom Campesinos! “You start off quite idealistic about what you can actually fit into a song, everything fighting against everything else, and that’s fine, it suited those songs. But now it’s like everything is pulling towards the same goal. The idea was to make the most coherent, direct record we can.”

Initial plans to record at Manic Street Preachers’ Faster studios in Cardiff fell by the wayside when a couple of European shows opened up a new possibility: four weeks at Music Lan, a recording studio in Girona, overlooking the Pyrenees. The Los Campesinos! line-up had undergone a couple of reshuffles since the recording of ‘Romance Is Boring’, Kim Campesinos! joining on backing vocals and keys, Jason Campesinos! taking the drumstool and long-time compadre Rob Taylor – aka Sparky Deathcap – giving up his surname to join LC! in what Tom describes as “the Bob Nastanovich role”, singing backing vocals and juggling instruments as required. The Spanish countryside, so far from Cardiff with all its myriad distractions, proved the perfect place to rekindle the Campesinos! spirit, and the arrival of producer John Goodmanson (Sleater-Kinney, Bikini Kill, Wu Tang Clan), a constant with the band since the recording of ‘We Are Beautiful, We Are Doomed’, closed the circle. “There was this real team ethic,” says Tom. “It felt like everyone came together.”

On first listen, ‘Hello Sadness’ might sound like a less fraught album than its predecessors. Gone is the hypertense, panic-attack rattle that characterised ‘We Are Beautiful, We Are Doomed’, and the melancholy wallow that you heard in corners of ‘Romance Is Boring’ is in short supply. Play it more, though, and you hear an emotion that comes from somewhere softer, deeper, and – dare we say it – more authentic. Two weeks before recording, Gareth Campesinos! split up with his girlfriend, and, he says, “everything written before then became void.”

Naturally, then, he began writing afresh. Many past Los Campesinos! songs have wrestled with matters of the heart, and often played dirty in the process. But songs like ‘Baby I Got The Death Rattle and ‘Light Leaves, Dark Sees Pt II’ come from a raw, uncertain place that, in their confusion of emotions, feel authentic. “There is anger, upset in them – but still a sense of being very much being in love, of still caring for the person,” says Gareth. It’s a confessional feel that’s intensified in places by whispers of incidental sound – the rattle of rain, distant radio, the hiss of room mics – and snatches of Dictaphone, captured by Gareth in a lonely or introspective moment.

While written at pace, ‘Hello Sadness’ finds Gareth’s lyrics reaching new levels of poetic articulacy. A strange menagerie of creatures – blackbirds, horses, woodworm – stalk and crawl the verses, and the landscape of the human form remains a preoccupation. On the title track, he charts the lines of a lover’s body – “The space between your navel/And your waist band was the ice/Where two fingers pirouette” – but any tenderness is unwanted, unrequited. On ‘Life Is A Long Time’, meanwhile, a catalogue of arguments manifest physically, in creases and wrinkles. “Aging is definitely in mind,” says Gareth. “I think a lot of people still think of us in this kind of youthful sense, but we’re in this weird place in our mid-twenties where you start to think like a grown-up. I feel more 30 than 20, but you’re not really allowed to – everyone wants to tell you how you’re still so young. The record in general is about this weird state of limbo – being in a band is an incredible privilege, but it can make it hard to find your place in the world.”

All this, though, in a clutch of songs that are more accessible and more direct than anything that’s come before. Current musical preoccupations include such reliably lo-fi names as Bruce Springsteen, R&B smoothie The-Dream, and Paul Heaton of The Housemartins and The Beautiful South, who, says Gareth, “really inspired me to try to sing more, rather than shout or yelp, to really work on melodies.”

At just 10 songs and 40 minutes, ‘Hello Sadness’ is perhaps the first Los Campesinos! album that sounds lean and pruned, indulgence shorn away and filler ruthlessly excised. Aiding the process of making a coherent album is the band’s extra-curricular hobby, Heat Rash – a quarterly edition zine-and-music bundle, which provides a home for the band’s more errant musical ideas that wouldn’t fit smoothly into the continuity of an album. Heat Rash also articulates something that’s right at the heart of Los Campesinos! – the idea of a manner of communication with the group’s fans that stretches beyond the songs themselves, be it visual, online, or simply a conversation over the merch table.

“I think that’s one of the best things about being in Los Campesinos!” says Gareth. “How open people who like our band are with us, how willing they are to speak to us and be involved.” ‘Hello Sadness’ marks another chapter in this communication. The youngsters that made ‘You! Me! Dancing!’ are long gone.

The band they’ve grown into, though, are something to fall for all over again.

at Neptune Theatre
1303 NE 45th
Seattle, United States

Cursive
Event on 2012-02-24 20:00:00

Supporting Acts: Ume, VIRGIN ISLANDS

Cursive

Cursive is the longtime trio of Tim Kasher (vocals, guitar), Matt Maginn (bass), and Ted Stevens (guitar, vocals), with Patrick Newbery (keys) and Cully Symington (drums). I Am Gemini (out February 21, 2012 via Saddle Creek), the band's seventh LP, is the follow-up to 2009's critically praised Mama, I'm Swollen, which caught the attention of publications including Alternative Press, Billboard, Playboy, Rolling Stone, and Time Out New York, among others, and earned the band their network television debut on The Late Show with David Letterman. Cursive has released six full-length albums – including the heralded Cursive's Domestica (2000), The Ugly Organ (2003), and Happy Hollow (2006) – two EPs, a disc of rarities, and numerous singles since the band's 1995 inception. The band is also known for their vital, magnetic live show, earning rave reviews from outlets including the Cleveland Scene's C-Note music blog ("[Tim Kasher's] effect on the crowd was chilling last night…Cursive was focused and on-spot, composed and gripping"), Nuvo Weekly ("…the five-piece slashed through a near-perfect set of songs from their last nine years of albums"), and the Orlando Sentinel's Soundboard blog ("…the band still knows how to rock on stage…[Cursive] thrashed away with an abandon that heightened the passion of Kasher's dense, emotionally charged wordplay."). I Am Gemini is the surreal and powerful musical tale of Cassius and Pollock, twin brothers separated at birth. One good and one evil, their unexpected reunion in a house that is not a home ignites a classic struggle for the soul, played out with a cast of supporting characters that includes a chorus of angels and devils, and twin sisters conjoined at the head. Recorded in the summer/fall of 2011 at Omaha, NE's ARC Studios and mixed at Red Room in Seattle, WA with producer Matt Bayles (Mastodon, Minus The Bear, Isis), I Am Gemini marks the first time front man Tim Kasher, holding the completed story already in mind, wrote album lyrics in a linear fashion, in order, from song 1 to song 13. The result is thirteen singularly cohesive song chapters that blend effortlessly into one unique narrative. The moody and playfully sinister I Am Gemini is Cursive's musically heaviest in years, with alternately muscular and angular guitars, pounding drums and driving bass. From the eerie introductory sounds of epic barnstormer "This House Alive" and the irresistibly catchy, insistent "The Sun and Moon", to the searing "Double Dead" and the split personality prog-pop of "Twin Dragon/Hello Skeleton", to the roaring, mournful closing track "Eulogy for No Name", the album is a dynamic, mind-bending, and imaginative ride.

at Troubadour
9081 Santa Monica Boulevard
West Hollywood, United States

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Open House London Centre

January 31, 2012 · Posted in Open House · 1 Comment 

Some cool Open House images:

Open House London – Centre Point
Open House

Image by damo1977
As part of the Open House London event, I visited the Centre Point Tower.

The tour consited of a tour around the entrance foyer, the CBI reception room, the cafe on the 18th floor and the Champagne Bar on the 33rd floor.

A chance to see some unique views of London.

Open House London – Centre Point
Open House

Image by damo1977
As part of the Open House London event, I visited the Centre Point Tower.

The tour consited of a tour around the entrance foyer, the CBI reception room, the cafe on the 18th floor and the Champagne Bar on the 33rd floor.

A chance to see some unique views of London.

Open House Weekend
Open House

Image by abustaca
Open House Weekend, London

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Sleepless In Seattle

January 31, 2012 · Posted in Seattle Homes · 3 Comments 

Sleepless in Seattle

List Price: $ 2.99

Price: $ 2.99

Easy Hikes Close to Home: Seattle

Small and lightweight, Easy Hikes Close to Home: Seattle contains 20 beginner-level hikes. With trails personally tested by both authors, this guide includes at-a-glance information (length, water required, trail traffic and surface, wheelchair accessibility, and more), GPS trailhead coordinates, directions, and clear maps.

List Price: $ 8.95

Price: $ 2.88

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Kidkraft Savannah Dollhouse

January 31, 2012 · Posted in Open House · Comments Off 

Kidkraft Savannah Dollhouse


The Savannah Dollhouse is elegantly decorated like a true southern mansion. Sure to provide girls with hours of fun and imaginative play, this gorgeous house has four levels with six rooms of open space, plus a full outdoor patio area. Wide windows allow dolls to be viewed from multiple points of view.

Price: $ 0
Sold by Barnes&Noble.com

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Residential Houses On Lake Union

January 31, 2012 · Posted in Seattle Houses · Comments Off 

Residential Houses on Lake Union, Seattle, Washington State


Christian Kober Residential Houses on Lake Union, Seattle, Washington State – Photographic Print

Residential Houses on Lake Union, Seattle, Washington State


Christian Kober Residential Houses on Lake Union, Seattle, Washington State – Photographic Print

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Sold Out Gotye

January 31, 2012 · Posted in Open House · Comments Off 

SOLD OUT: Gotye
Event on 2012-02-02 20:00:00
Ask Gotye about his new album Making Mirrors and hell speak not of songs, but of sounds. Hell describe the various valves through which strings and choirs cycle on his Lowrey Cotillion, a vintage organ bought for 100 bucks in a second-hand shop that features on the record. Or how he constructed a bassline by sampling the Winton Musical Fence, an unlikely instrument he discovered in the outback of Queensland, Australia, comprised of five large metal strings attached to wooden fence posts and a resonant chamber. He may mention the horn break from a traditional Taiwanese folk song he discovered on a 1970s Cathay Pacific promotional record, which he sampled, sped up and dubbed out, before introducing it to some Turkish drum sounds. Or the unique, virtual versions of acoustic instruments among them a chromaharp and an mbira he created by painstakingly multisampling every note.

Listen to Making Mirrors and youll be drawn in by the details, transported to a world where every moment matters. This is pop at its most precise, but also electronic music at its most emotional. The record delves into dub, Detroit-era Motown soul, stadium-size politipop, synth-folk and world music on glorious, sprawling, huge-hearted songs.

Gotye (pronounced Gauthier) first found fame in his native Australia with his second album, 2006s Like Drawing Blood. Radio station Triple J named it their album of the year, as did iTunes on its release in Europe in 2008. It was recently voted the 11th greatest Australian album of all time. In Britain, Like Drawing Blood became a cult hit while in the States, it made waves after Drew Barrymore fell in love with single Learnalilgivinanlovin and used it in several of her films.

Making Mirrors, its extraordinary follow-up, was more than two and a half years in the making. To write and record its dozen sumptuous songs, Gotye moved from Melbourne to a barn on his parents remote five hectare block on the Mornington Peninsula in Victoria. There, he had the space to permanently set up his growing array of instruments and recording equipment, and found the isolation that allowed for sonic experimentation and recording at any time of the day.

After Like Drawing Blood, which was constructed almost entirely from samples of old vinyl, Gotye set about making an album using more physical and acoustic instruments.

"I ended up sampling a lot of them note-by-note and turning them into virtual instruments," he explains. "It's a slow and sometimes laborious process, but it can completely change the sound of the instrument and how you approach playing it. You can buy so many virtual instruments online these days, but its not nearly as personal as making them yourself. I found a beautiful old chromaharp at an antique shop, and virtualised it in this way. It ended up sounding more like an unusual hammer dulcimer when played on a midi keyboard or programmed with software"

Meanwhile, Gotye continued to raid local second-hand shops for obscure vinyl to sample.

A lot of samples came from 1950s and 60s exotica records, says Gotye. Guys like Les Baxter; these amazing orchestrators and producers who experimented so boldly with musical colours and the stereo spectrum

For Bronte, the closing track on the new record, I used a sample of 60s orchestrator Leo Addeo. He made an exotica record called Calypso which featured lots of wildly out-of-tune steel drums. I pitched some grabs of these around, really messing with the overtones of the samples, and it became a gentle, beautiful loop, while still being quite odd sonically.

Gotyes background is as a drummer and often plays his shows solo, setting off samples from behind his drum kit while singing. On Eyes Wide Open, the first song recorded for Making Mirrors, he played live drums for the first time on a Gotye record. There is also live piano and bass guitar, plus some strange field recordings.

I recorded sounds from around my parents block me walking up the path, the frogs in the background and wove them subtly in to several songs. I even included the ambience of the barn in the background of Dont Worry, Well Be Watching You. The most obvious field recording is of the Winton Musical Fence. I played the fence strings one windy night in the outback and recorded it on a portable stereo. That became the bassline for Eyes Wide Open.

The dubby State Of The Art, with its spooky, pitch-shifted, sci-fi vocals, is an ode to the Lowrey Cotillion, with lyrics that mention its keys and functions.

Im fascinated by how attached to certain pieces of technology we can become. I mean, I love this organ!, laughs Gotye. But I was also interested in how these relationships dont often hold between generations. Certain pieces of gear that once captured peoples imagination can now appear quaint and outdated to younger people. Yet those who experienced them when they were at the vanguard of technological achievement, sometimes still hold onto that glorious vision of the future they provided. Its like we inscribe our dreams on these machines sometimes; we can develop these peculiar yet profound personal relationships with them.

In contrast, the joyous, uptempo I Feel Better revisits the Motown sound of Like Drawing Bloods breakthrough single Leanalilgivinanlovin.

That song was a direct response to listening to Martha Reeves Dancing In The Street when I was driving home one day, says Gotye. I was struck by how massive the tambourine sound on the recording is it feels like its being hit by the hand of God. I thought it was cool that such a wall of sound could be dominated by a physically quite small instrument like a tambourine. So I arrived home, played a tambourine backbeat at a similar tempo and put an impossibly big plate reverb on it. Sitting down at the piano in response to this percussion track, I had I Feel Better written in about an hour.

Already Making Mirrors is making waves thanks to stunning, Peter Gabriel-esque, first single Somebody That I Used To Know, a collaboration with New Zealand singer Kimbra which is currently nestled in the Australian Top 10. Within three weeks of its striking, stop-frame, body-painting video being posted on YouTube, the song had received more than two million hits and made it to No.1 on the Hype Machine Twitter chart. Hear it once and youll be haunted by it for weeks.

Gotye launched Making Mirrors in Australia in August with a gig at Sydney Opera House, which is followed by a tour in the autumn. For the first time, he will be playing Gotye music completely live.

I have a ten-piece band, in which everyone sings and plays multiple instruments, says Gotye. These are by far my most ambitious shows to date. There will be no backing tracks used. All visuals will be triggered live too. Weve been rehearsing twice a week for the past 3 months, and its exciting because its dangerous. It could go wrong on every song. Ive never been one to make my life easy.

at El Rey Theatre
5515 Wilshire Boulevard
Los Angeles, United States

Left/Right – Excision – Liquid Stranger – Lucky Date
Event on 2012-02-23 20:00:00
Description Full Access & Insomniac present Thursday, February 23, 2012 Dallas, Texas – the x tour – EXCISION www.excision.ca www.facebook.com/Excision www.twitter.com/Excision www.soundcloud.com/Excision LIQUID STRANGER www.facebook.com/liquidstranger LUCKY DATE www.facebook.com/luckydatemusic LEFT/RIGHT www.soundcloud.com/leftrightmusic Details: HOUSE OF BLUES 2200 North Lamar Street Dallas, TX 75202-1006 (214) 978-2583 /// www.houseofblues.com Doors open 9 pm – 2 am Tickets on sale on Monday! Connect : http://www.fullaccessdallas.net/ Connect : http://www.facebook.com/fullaccessdallas Updates : http://www.twitter.com/FullAccessEvent

at House of Blues – Dallas
2200 N Lamar St
Dallas, United States

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